tag:blogger.com,1999:blog-81504902143080787112024-03-13T00:45:24.220-07:00Assoc. Professor Dr. Christos KarydisPreventive & Interventive Conservation of Organic Materials| Προληπτική & Επεμβατική Συντήρηση Οργανικών Έργων Τέχνηςsty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comBlogger33125tag:blogger.com,1999:blog-8150490214308078711.post-34106778623072660752023-03-09T05:28:00.007-08:002023-03-09T05:28:57.099-08:00<p><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"><br /></span></p><p style="text-align: left;"><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"><span> </span><span> </span><span> </span>Επιτάφιοι του<span style="letter-spacing: 2pt;"> </span>Αγίου<span style="letter-spacing: 2pt;"> </span>Όρους. Ιστορία,<span style="letter-spacing: 2pt;"> </span>φυσικοχημικές αναλύσεις </span><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;">& </span><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"> </span><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"> </span><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"> </span><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"> </span><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"> </span><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"> </span><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;">διατήρηση. Γενικές αρχές προληπτικής συντήρησης.</span></p><p style="text-align: left;"><span style="font-family: "Times New Roman", "serif"; font-size: 21.3333px; text-align: center;"><br /></span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjTzaTaGBDy2xNG6n54hOnT7lFKKVNtHZGzTnMUXfOFpuRxEnRJ8Qe-zMoFQFH5ERBcdkb4Cx8iwT2CV28fW7PMwBVeP9Ko5mxds_9fsDuCyyKxam4nzkn5Kth64jgZKkYV1OKoF3gBUtYNnXnlqspXFnnYF_4pEmjL3b_4tKE5eLaRjwZphmDze4-HbA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1344" data-original-width="952" height="395" src="https://blogger.googleusercontent.com/img/a/AVvXsEjTzaTaGBDy2xNG6n54hOnT7lFKKVNtHZGzTnMUXfOFpuRxEnRJ8Qe-zMoFQFH5ERBcdkb4Cx8iwT2CV28fW7PMwBVeP9Ko5mxds_9fsDuCyyKxam4nzkn5Kth64jgZKkYV1OKoF3gBUtYNnXnlqspXFnnYF_4pEmjL3b_4tKE5eLaRjwZphmDze4-HbA=w280-h395" width="280" /></a></div><br /><p></p><p></p><p class="MsoNormal" style="margin: 4.35pt 0in 0.0001pt 5pt; text-align: center;"><span style="font-family: "Times New Roman", "serif"; font-size: 16px; letter-spacing: -0.133333px;">Προλογισμός από τον Οικουμενικό Πατριάρχη κ.κ. Βαρθολομαίο</span></p>
<p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 5.0pt; margin-right: 288.95pt; margin-top: .05pt; text-indent: -.05pt;"><span lang="EL" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-size: 11.0pt;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 5.0pt; margin-right: 288.95pt; margin-top: .05pt; text-indent: -.05pt;"><span lang="EL" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-size: 11.0pt;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 5.0pt; margin-right: 288.95pt; margin-top: .05pt; text-indent: -.05pt;"><span lang="EL" style="font-family: "Times New Roman", "serif";">Σελίδες<span style="letter-spacing: -0.25pt;"> </span>/<span style="letter-spacing: -0.35pt;"> </span>Μέγεθος:<span style="letter-spacing: -0.35pt;">
</span>192<span style="letter-spacing: -0.3pt;"> </span>/<span style="letter-spacing: -0.35pt;"> </span>24x17 </span></p><p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 5.0pt; margin-right: 288.95pt; margin-top: .05pt; text-indent: -.05pt;"><span lang="EL" style="font-family: "Times New Roman", "serif";">ISBN: 978-960-354-558-3<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 5.0pt; margin-right: 288.95pt; margin-top: .05pt; text-indent: -.05pt;"><span lang="EL" style="font-family: "Times New Roman", "serif";">Εκδόσεις: Ινστιτούτου του Βιβλίου</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 5.0pt; margin-right: 288.95pt; margin-top: .05pt; text-indent: -.05pt;"><span lang="EL" style="font-family: "Times New Roman", "serif";">-Καρδαμίτσας </span></p><p class="MsoBodyText" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 184.2pt; margin-right: 5.6pt; margin-top: .05pt; tab-stops: 213.75pt 215.6pt 230.35pt 251.6pt 255.75pt 257.35pt 265.15pt 269.6pt 278.95pt 286.8pt 307.35pt 314.8pt 317.35pt 320.15pt 328.95pt 342.55pt 345.15pt 358.15pt 383.75pt 389.95pt 393.35pt 395.75pt 406.95pt 418.6pt 420.55pt 423.15pt 424.95pt 435.2pt 447.95pt 6.4in 463.55pt; text-align: right; text-indent: 14.15pt;"><span style="height: 313px; left: 0px; margin-left: 70px; margin-top: 1px; position: absolute; text-align: left; width: 225px; z-index: 1;"> </span><!--[endif]--><span lang="EL"></span></p><div style="text-align: left;"><span style="text-indent: 14.15pt;">Μέσα στην Ανατολική
Ορθόδοξη Εκκλησία, κατά την τέλεση </span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">της</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">Θείας</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">Ευχαριστίας</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">και</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">των</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">άλλων</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">ακολουθιών,
</span><span style="text-indent: 14.15pt;">χρησιμοποιούνται λειτουργικά και διακοσμητικά ενδύματα και υφάσματα.</span><span style="letter-spacing: -0.4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">Τα</span><span style="letter-spacing: -0.4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">λειτουργικά</span><span style="letter-spacing: -0.4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">υφάσματα</span><span style="letter-spacing: -0.4pt; text-indent: 14.15pt;">
</span><span style="text-indent: 14.15pt;">και</span><span style="letter-spacing: -0.3pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">ιδιαίτερα</span><span style="letter-spacing: -0.4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">ο</span><span style="letter-spacing: -0.5pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">επιτάφιος
</span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">που</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">είναι</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.5pt; text-indent: 14.15pt;">ο</span><span style="text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">σκοπός</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">της</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">παρούσης</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">μελέτης,</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">φέρουν </span><span style="text-indent: 14.15pt;">συμβολισμούς</span><span style="letter-spacing: -0.65pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">τόσο</span><span style="letter-spacing: -0.65pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">στα</span><span style="letter-spacing: -0.55pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">χρώματα</span><span style="letter-spacing: -0.55pt; text-indent: 14.15pt;">
</span><span style="text-indent: 14.15pt;">όσο</span><span style="letter-spacing: -0.5pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">και</span><span style="letter-spacing: -0.65pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">στη</span><span style="letter-spacing: -0.6pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">διακόσμησή</span><span style="letter-spacing: -0.6pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">τους. Η</span><span style="letter-spacing: 2pt; text-indent: 14.15pt;">
</span><span style="text-indent: 14.15pt;">βυζαντινή</span><span style="letter-spacing: 2pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">&</span><span style="letter-spacing: 2pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">μεταβυζαντινή</span><span style="letter-spacing: 2pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">εκκλησιαστική</span><span style="letter-spacing: 2pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">κεντητική</span><span style="letter-spacing: 2pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">δεν ήταν αφηγηματική ούτε και ‘αφαιρετική’
αλλά πνευματική και </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">συμβολική.</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">Δείγματα</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">βυζαντινών</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.5pt; text-indent: 14.15pt;">&</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">μεταβυζαντινών λειτουργικών</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">υφασμάτων,</span><span style="text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">όπως</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">είναι</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.3pt; text-indent: 14.15pt;">οι</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">επιτάφιοι, αποθησαυρίζονται</span><span style="text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">στα</span><span style="text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">σκευοφυλάκια</span><span style="letter-spacing: 4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">του</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">Αγίου</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">Όρους. </span><span style="text-indent: 14.15pt;">Πρόκειται για έργα τα οποία δεν
έχουν μελετηθεί συστηματικά από</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">την</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">πλευρά</span><span style="letter-spacing: -0.65pt; text-indent: 14.15pt;">
</span><span style="text-indent: 14.15pt;">της</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">ανάλυσης</span><span style="letter-spacing: -0.65pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">με</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">φυσικοχημικές</span><span style="letter-spacing: -0.65pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">τεχνικές</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;">
</span><span style="text-indent: 14.15pt;">και</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">της καταγραφής</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">της</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">διατήρησης</span><span style="letter-spacing: -0.65pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">των</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">κατασκευαστικών</span><span style="letter-spacing: -0.65pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">τους</span><span style="letter-spacing: -0.7pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">υλικών.
</span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">Κύριος</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">σκοπός</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.2pt; text-indent: 14.15pt;">της</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">μελέτης</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -1.95pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">είναι</span><span style="text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.3pt; text-indent: 14.15pt;">να</span><span style="text-indent: 14.15pt;"> </span><span style="letter-spacing: -0.1pt; text-indent: 14.15pt;">αναδειχθούν </span><span style="text-indent: 14.15pt;">συγκεκριμένοι</span><span style="letter-spacing: 4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">αγιορείτικοι</span><span style="letter-spacing: 4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">επιτάφιοι</span><span style="letter-spacing: 4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">βάσει</span><span style="letter-spacing: 4pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">τεχνοτροπικών στοιχείων,</span><span style="letter-spacing: 1.95pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">ορισμένα</span><span style="letter-spacing: 1.9pt; text-indent: 14.15pt;">
</span><span style="text-indent: 14.15pt;">από</span><span style="letter-spacing: 1.85pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">αυτά</span><span style="letter-spacing: 1.95pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">αδημοσίευτα</span><span style="letter-spacing: 1.95pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">για</span><span style="letter-spacing: 1.95pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">το</span><span style="letter-spacing: 2pt; text-indent: 14.15pt;"> </span><span style="text-indent: 14.15pt;">κοινό,</span><span style="letter-spacing: 1.95pt; text-indent: 14.15pt;">
</span><span style="letter-spacing: -0.25pt; text-indent: 14.15pt;">να </span>παρουσιαστεί
ο συμβολικός χαρακτήρας του επιταφίου και οι διαφορές με τα άλλα Ορθόδοξα
λειτουργικά υφάσματα, καθώς και να αναδειχθούν οι συμβολισμοί των
κατασκευαστικών υλικών που χρησιμοποιούνται κατά την Ορθόδοξη παράδοση. <span style="text-indent: 14.15pt;">Η μελέτη ολοκληρώνεται με την ανάλυση των
κατασκευαστικών υλικών των συγκεκριμένων επιταφίων, με την καταγραφή της
σημερινής κατάστασης και διατήρησης των υφασμάτων και με προτάσεις κατάλληλης
αποθήκευσης και έκθεσης. Γενικές αρχές της προληπτικής συντήρησης ως μέτρο
διατήρησης παρουσιάζονται ως κατακλείδα.</span></div><p></p><p></p><p>
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<p class="MsoNormal" style="margin-left: 5.0pt;"><br /></p><br /><p></p>Christos Karydishttp://www.blogger.com/profile/07245490871743449757noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-1521454627335966602019-09-09T22:50:00.001-07:002020-06-01T02:08:08.311-07:00Τεχνικές και Υλικά Ζωγραφικών Έργων Τέχνης: Φορητές Εικόνες και Πίνακες. Γενικές Αρχές Προληπτικής Συντήρησης<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "times" , "times new roman" , serif;"><span lang="EL" style="color: #232122;">Χαιρετισμός: </span><span lang="EL" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #222222;">Α.Θ.Μ. Πάπας & Πατριάρχης
Αλεξανδρείας & Πάσης Αφρικής κ.κ. Θεόδωρος Β.<i> </i></span><span lang="EL" style="color: #232122;"><o:p></o:p></span></span></div>
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<span lang="EL" style="color: #232122;"><span style="font-family: "times" , "times new roman" , serif;">Προλογισμός: τ. Διευθυντής
Συντήρησης Εθνικής Πινακοθήκης: Δρ. Μιχαήλ Δουλγερίδης</span></span></div>
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<span lang="EL" style="color: #232122;"><span style="font-family: "times" , "times new roman" , serif;">Εισαγωγικό Σημείωμα για την
Θεολογία της Εικόνας: Δρ. Γεωρ. Κόρδης</span></span><br />
<span lang="EL" style="color: #232122;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span>
<span style="color: #232122; font-family: "times" , "times new roman" , serif;"><b>Επικ. Καθηγητής Δρ. Χρήστος Χ. Καρύδης </b></span><br />
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<span style="font-family: "times" , "times new roman" , serif;">Εκδόσεις Ίων</span><br />
<span style="font-family: "times" , "times new roman" , serif;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif;">ISBN: 978-960-508-301-4, Eύδοξος: </span><span style="font-family: "times" , "times new roman" , serif;">86199428</span><br />
<span style="font-family: "times" , "times new roman" , serif;">Έτος έκδοσης: 2019</span><br />
<span style="font-family: "times" , "times new roman" , serif;">Σελ. 184</span></div>
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Το περιεχόμενο της μελέτης, το οποίο σε δώδεκα (12) κεφάλαια καλύπτει την παρουσίαση όλων των κατασκευαστικών υλικών και τεχνικών της φορητής εικόνας και των πινάκων, διαμορφώθηκε για μεγαλύτερη ευκολία σε τρία κύρια μέρη. Στο πρώτο μέρος αναλύονται όλα τα κατασκευαστικά υλικά της φορητής εικόνας (ξύλο, ύφασμα, προετοιμασία, χρωστικές, συνδετικά υλικά, χρύσωμα και βερνίκωμα) και στο τέλος παρουσιάζονται βήμα πρός βήμα η κατασκευή μιας φορητής εικόνας. Στο δεύτερο μέρος παρουσιάζονται τα υλικά και η κατασκευή ενός ζωγραφικού έργου σε ύφασμα όπως επίσης και οι τρόποι τελαρώματος. Τέλος, το τρίτο και τελευταίο μέρος αφιερώνεται στη διατήρηση των ζωγραφικών έργων μέσω της 'πρόληψης' παρουσιάζοντας τα βασικά πεδία της προληπτικής συντήρησης. </div>
Christos Karydishttp://www.blogger.com/profile/07245490871743449757noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-53054646492499537942019-02-05T06:55:00.005-08:002019-08-12T06:46:58.638-07:00Εικονογραφική αναπαράσταση & συντήρηση της εικόνας 'Ρόδον το Αμάραντον' της Ι.Μ. Αγ. Γεωργίου-Ευαγγελισμού Ιέρακος-Λακωνία<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKJyL80cKQX8Nr3Vpwis1gn0pvqZXKrZXPMkyj5rLtsixPB9fdG_vaTGUOdj0DpQ84xz7KSV-umUdwG9ueq5piLiQkAFCwjCYrfkBUEGdWzy7imB48X4u-QvPAVnwi0O8FniRgGpOT_gtn/s1600/%25C2%25A9.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1100" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKJyL80cKQX8Nr3Vpwis1gn0pvqZXKrZXPMkyj5rLtsixPB9fdG_vaTGUOdj0DpQ84xz7KSV-umUdwG9ueq5piLiQkAFCwjCYrfkBUEGdWzy7imB48X4u-QvPAVnwi0O8FniRgGpOT_gtn/s400/%25C2%25A9.jpg" width="272" /></a></div>
<span style="font-family: "times new roman" , serif; font-size: 12pt;">Εικονογραφική αναπαράσταση και συντήρηση της εικόνας ‘Ρόδον το Αμάραντον’ της Ι. Μονής Αγ. Γεωργίου- Ευαγγελισμού της Θεοτόκου Ιέρακος-Λακωνία.</span><span style="font-family: "times new roman" , serif; font-size: 12pt;"> </span><br />
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<span style="font-family: "times new roman" , serif; font-size: 12pt;"><br /></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt;"><b>Δρ. Χρήστος Χ. Καρύδης & Νικόλαος Γ. Τουτός</b></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt;">Εκδόσεις Εκκλησιαστική Βιβλιοθήκη Ι. Μητροπόλεως Μονεμβασίας & Σπάρτης, Σπάρτη, 2018. </span></div>
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<span style="font-family: "times new roman" , serif; font-size: 16px;">ISBN:978-618-82143-6-1</span><br />
<span style="font-family: "times new roman" , serif; font-size: 16px;">Σελ. 48</span></div>
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<span style="font-family: "times new roman" , serif; font-size: 16px;">Η συγκεκριμένη μελέτη χωρίζεται σε δύο μέρη. Στο πρώτο γίνεται αναφορά στην εικονογραφική αναπαράσταση της εικόνας το ΄Ρόδον το Αμάραντον΄ χρησιμοποιώντας βιβλιογραφικές αναφορές. Στο δεύτερο μέρος γίνεται αναφορά στους τρόπους καταγραφής και επεμβατικής συντήρησης της συγκεκριμένης εικόνας. </span></div>
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Christos Karydishttp://www.blogger.com/profile/07245490871743449757noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-22073510711090217552015-06-08T03:03:00.001-07:002015-06-08T03:03:30.626-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-35815216883159772772014-10-09T01:58:00.004-07:002014-10-09T01:58:53.660-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-18746543961564349652014-07-16T13:29:00.001-07:002014-07-17T01:24:46.404-07:00Περιλήψεις 1ης Ημερίδας για τη Συντήρηση & Μελέτη των Εκκλησιαστικών Κειμηλίων στη Θεολογική Σχολή της Χάλκης<div dir="ltr" style="text-align: left;" trbidi="on">
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-52713294420324019842014-04-21T09:56:00.002-07:002014-04-21T09:56:47.650-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-27608698086512741272014-02-07T08:58:00.003-08:002015-09-16T11:38:36.989-07:00Educational Movie: Introduction To The Textile Conservation<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Verdana, sans-serif;"><span style="background-color: white; color: #222222;">The</span><span style="background-color: white; color: #222222;"> </span><span style="background-color: white; color: #222222;">first</span><span style="background-color: white; color: #222222;"> </span><span style="background-color: white; color: #222222;">greek</span><span style="background-color: white; color: #222222;"> </span><span style="background-color: white; color: #222222;">educational</span><span style="background-color: white; color: #222222;"> </span><span style="background-color: white; color: #222222;">film</span><span style="background-color: white; color: #222222;"> </span><span style="background-color: white; color: #222222;">for</span><span style="background-color: white; color: #222222;"> </span><span style="background-color: white; color: #222222;">textile</span><span style="background-color: white; color: #222222;"> </span><span style="background-color: white; color: #222222;">conservation</span></span><br />
<span style="font-size: small;"><span style="color: #222222; font-family: Verdana, sans-serif;"><br clear="all" /></span><span style="font-family: Verdana,sans-serif;"><a href="https://vimeo.com/86093903">https://vimeo.com/86093903</a> </span></span><span style="font-family: Verdana, sans-serif;">(trailer)</span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br /></span></span><span style="font-family: Verdana, sans-serif;"><span style="background-color: white; color: #444444;"><a href="https://www.youtube.com/watch?v=wyS-azf6BEA">https://www.youtube.com/watch?v=wyS-azf6BEA</a><span style="line-height: 18.2px;"> (</span></span><span style="background-color: white; color: #444444; line-height: 18.2px;">Video</span><span style="background-color: white; color: #444444; line-height: 18.2px;">)</span></span><br />
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<span style="font-family: Verdana,sans-serif;">Scientific Coordinator: Dr. Christos Karydis</span><br />
<span style="font-family: Verdana,sans-serif;">Filmed by: Ilona Delianidou</span><br />
<span style="font-family: Verdana,sans-serif;"><br /></span>
<span style="font-family: Verdana,sans-serif;">Copyright 2015</span><br />
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-63986655682585779792014-01-26T05:35:00.002-08:002014-01-26T05:38:53.980-08:00Η συνέντευξη<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><a href="https://vimeo.com/84978514" style="font-family: arial,sans-serif;" target="_blank">https://vimeo.com/84978514</a></span><br />
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Γενικός συντονισμός - συνέντευξη: Δρ. Χρήστος Χ. Καρύδης<br />
Ηχογράφηση: Αναστασία Πανούση<br />
Κάμερα - Φωτογραφία: Ισίδωρος Πλακωτάρης<br />
Μοντάζ: Ιλόνα Ντελιανίδου<br />
Τεχνική Επιμέλεια: Χρήστος Φαραός </div>
sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-65933678265628221752013-10-27T11:47:00.004-07:002013-11-16T01:50:28.723-08:00Η ΕΠΙΣΤΗΜΗ ΤΗΣ ΠΡΟΛΗΠΤΙΚΗΣ ΣΥΝΤΗΡΗΣΗΣ. Διατήρηση & διαχείριση συλλογών <div dir="ltr" style="text-align: left;" trbidi="on">
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<b style="mso-bidi-font-weight: normal;">Η ΕΠΙΣΤΗΜΗ
ΤΗΣ ΠΡΟΛΗΠΤΙΚΗΣ ΣΥΝΤΗΡΗΣΗΣ. Διατήρηση & διαχείριση συλλογών </b><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"> </b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;"></span></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">
</span></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;"></span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;">Δρ. Χρήστος Καρύδης, Δρ. Ελένη Κουλουμπή και
Αριστοτέλης Σακελλαρίου (επιμελητές)</b></div>
<b style="mso-bidi-font-weight: normal;">
</b><br />
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<b style="mso-bidi-font-weight: normal;"><br /></b></div>
<b style="mso-bidi-font-weight: normal;">
</b>
<br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;">Εκδόσεις <span lang="EN-US" style="mso-ansi-language: EN-US;">Time</span><span lang="EN-US"> </span><span lang="EN-US" style="mso-ansi-language: EN-US;">Heritage</span>, Αθήνα 2013</b></div>
<b style="mso-bidi-font-weight: normal;">
</b>
<br />
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;"><a href="http://www.timeheritage.gr/">www.timeheritage.gr</a> </span></b></div>
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</b>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">ISBN:
978-960-89869-2-3</span></b></div>
<b style="mso-bidi-font-weight: normal;">
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
Σελ. 406</div>
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<br /></div>
</b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;"><div class="MsoNormal" style="text-align: justify;">
<span style="font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">To</span><span lang="EN-US"> </span>βιβλίο ‘Η
Επιστήμη της Προληπτικής Συντήρησης’ έρχεται να καλύψει ένα βιβλιογραφικό κενό
στο χώρο της επιστήμης της συντήρησης αρχαιοτήτων και έργων τέχνης. Τομέας που
για χρόνια αναπτυσσόταν εμπειρικά, η προληπτική συντήρηση έχει πρόσφατα μόνον
αναγνωριστεί ώς ιδιαίτερο γνωστικό αντικείμενο με τη δική του μεθοδολογία, που
διδάσκεται πλέον στα πανεπιστήμια και τις σχολές συντήρησης ανά τον κόσμο. Το
βιβλίο αποτελείται από αυτοτελείς μελέτες (<span lang="EN-US" style="mso-ansi-language: EN-US;">case</span><span lang="EN-US"> </span><span lang="EN-US" style="mso-ansi-language: EN-US;">studies</span>) από σαράντα (40) Έλληνες ειδικούς με στόχο να παρουσιαστεί ο σκοπός
και ο ρόλος της προληπτικής συντήρησης, να εξεταστούν αντικείμενα, υλικά και
τεχνικές νέες στον ελληνικό χώρο, να προταθούν νέες ιδέες και προσεγγίσεις και
να αφυπνισθούν οι φορείς διαχείρισης και διατήρησης συλλογών. Οι αυτοτελείς
αυτές μελέτες συνοδεύονται από εκτενή βιβλιογραφία, για περαιτέρω εμβάθυνση.
Φιλοδοξία των επιμελητών είναι να καταστεί το βιβλίο εγχειρίδιο για συντηρητές,
φοιτητές συντήρησης, επιμελητές συλλογών και γα όλους τους επαγγελματίες στο
χώρο της διαχείρισης πολιτιστικής κληρονομιάς. </span></div>
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<br /></div>
</span></b><br />
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">THE SCIENCE OF PREVENTIVE
CONSERVATION. Preservation & Collection Management </span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Dr.
Christos Karydis., Dr. Eleni Kouloumpi and Aristotelis Sakellariou (editors)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Time
Heritage Publications, Athens 2013</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><a href="http://www.timeheritage.gr/">www.timeheritage.gr</a> </span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">ISBN:
978-960-89869-2-3</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Pages.
<span style="mso-spacerun: yes;"> </span>406</span></div>
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<br /></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">The book ‘Science of Preventive Conservation’
is coming to fulfill the Greek bibliographic gap in the science of conservation
of antiquities and works of art. A section which for many years was actually developed
empirically. Preventive conservation has recently been recognized as a
particular subject area in the preservation of antiquities. This book consists
of numerous case studies written by forty (40) Greek scholars in the field. The scope of
this book is to examine objects, materials and techniques in Greek monuments
and collections, to propose new ideas and approaches, and to awaken the curators
and conservators. Ambition of the editors is for the book to be used as a
manual for conservators, conservation students, curators and collection managers
and all professionals in the field of cultural heritage management.</span></div>
</div>
sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-17676443843311923712013-04-29T14:48:00.001-07:002014-01-13T04:35:55.397-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe allowfullscreen="" frameborder="0" height="270" src="http://www.youtube.com/embed/ml93qmng-dE?fs=1" width="480"></iframe></div>
sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-68357277207441023402012-12-02T07:51:00.001-08:002012-12-02T07:52:29.287-08:00Περιλήψεις πρώτου κύκλου διαλέξεων για τη συντήρηση και τον πολιτισμό<div dir="ltr" style="text-align: left;" trbidi="on">
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-66838132562654538242011-05-08T23:54:00.000-07:002017-07-21T00:00:49.420-07:00The Orthodox Christian Sakkos: Ecclesiastical Garments Dating from the 15th to the 20th Centuries from the Holy Mountain of Athos Collection<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;">Collection survey, scientific analysis & preventive conservation</span></div>
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This work focuses on the research findings from a collection survey of Euro-Mediterranean post-Byzantine ecclesiastical garments, known as sakkoi, from the Holy Mountain of Athos located in Chalkidiki, Greece. The sakkos appeared to be an evolution of the Greek chiton (10th – 8th BC) to the Roman dalmatic (180- 192 AD). The study begins with a discussion of the nomenclature,</div>
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while it addresses the issue prevalent in Byzantine and post-Byzantine research, as to the historical provenance of this liturgical garment. Different approaches ranging from art historic and semiotic research to scientific examination using sophisticated analytical techniques are applied, in order to introduce a cultural, historical and technological context of the garments. The Mount Athos sakkoi, never previously researched, date from the end of the 15th to the 20th century and they are garments worn by Patriarchs, Bishops, and Emperors. The survey examines fifty two sakkoi from fourteen monasteries, identifying constructional and stylistic details, material components using analytical techniques (Optical Microscopy, HPLC and SEM-EDS) and technological evidence such as fibres, dyes, metal threads and weaving techniques, whilst analysing the sources of degradation and decay. This research demonstrates not only the scope of a conservation collection survey methodology for elucidating new information about specific items but also it’s potential to add to the knowledge relating to the history, development and use of such garments. A major goal of the study was to enable intellectual access to this inaccessible collection and the mechanism for disseminating this information. Major attention was also drawn on new preventive conservation approaches that can be adopted to preserve the items as a ‘living’ collection, including guidelines for the continuation of production of those garments. The spiritual dimension of these artefacts is thus discussed within the framework of conservation ethics. This research offers for the very first time, a complete assemblage of knowledge regarding the production, synthesis,condition and display of the ecclesiastical Athonian sakkoi.</div>
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Published by Archaeopress. British Archaeological Reports, Oxford</div>
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http://www.barpublishing.com </div>
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ISBN 9781407307169</div>
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410 pages; illustrated throughout; with CD</div>
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-49771994531167047422011-05-08T23:52:00.000-07:002019-09-09T23:29:36.888-07:00Eισαγωγή στην Προληπτική Συντήρηση των Υφασμάτινων Έργων Τέχνης <div dir="ltr" style="text-align: left;" trbidi="on">
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<span lang="EN-US">Προλογισμοί: </span><br />
<span lang="EN-US">Δρ. Ελένη Ιωακείμογλου Καθηγήτρια ΤΕΙ Αθήνας- Τμήμα Σ.Α.Ε.Τ</span><br />
<span lang="EN-US"><br /></span>
<span lang="EN-US">Δρ. Κατερίνα Κορρέ- Ζωγράφου</span><br />
<span lang="EN-US">Καθηγήτρια Ιστορικής & Κοινωνικής Λαογραφίας Πανεπιστήμιο Αθηνών </span><br />
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<span lang="EN-US"><b><br /></b></span></div>
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<span lang="EN-US"><b><br /></b></span></div>
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<span lang="EN-US"><b>Χρήστος Χ. Καρύδης </b></span></div>
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<span lang="EN-US"><b><br /></b></span></div>
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<span lang="EN-US">Εκδόσεις Φουτούρα </span></div>
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Έτος: 2006</div>
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ISBN:960-6654-08-7</div>
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Σελ. 78</div>
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Η πρώτη ελληνική έκδοση για την προληπτική συντήρηση των υφασμάτινων έργων τέχνης. Το βιβλίο συμπεριλαμβάνει 10 κεφάλαια όπως:<br />
1. Εισαγωγή στη Προληπτική συντήρηση, 2. Καταγραφή- Τεκμηρίωση, 2.1. Δειγματοληψία, 2.2 Αναγνώριση ινών, 2.3 Αναγνώριση υφάνσεων, 3. Παράγοντες φθοράς, 4. Περιβαλλοντικές συνθήκες, 4.1 Υγρασία & Θερμοκρασία, 4.2 Φωτισμός, 4.2.1 Τύποι τεχνητού φωτισμού, 5. Έντομα, 5.1 Αίτια προσβολής, 5.2 Τρόποι αντιμετώπισης, 5.3 Ψύξη, 6. Ρύποι-Σκόνη, 7. Μεταφορά-μεταχείριση, 8. Πλημμύρα: πρώτα σωστικά μέτρα, 9. Αποθήκευση, 9.1 Υλικά αποθήκευσης, Υλικά αποθήκευσης: αφαίρεση φινιρισμάτων, 10. Συντήρηση, 10.1 Υθικοί προβληματισμοί, 10.2 Κατάλληλα απορρυπαντικά. Τέλος, Διεθνοί Οργανισμοί Συντήρησης, Μουσείων & Πολιτιστικής Κληρονομιάς, Προτεινόμενη βιβλιογραφία.<br />
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-17367876630928535662011-04-09T08:21:00.000-07:002012-10-30T16:14:34.325-07:00Preservation or Just a Materialistic Obsession<div dir="ltr" style="text-align: left;" trbidi="on">
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sty.publichttp://www.blogger.com/profile/01282241937864032147noreply@blogger.comtag:blogger.com,1999:blog-8150490214308078711.post-43709546137183600312011-04-08T13:51:00.000-07:002011-04-08T13:51:14.496-07:00Εκκλησιαστικά υφάσματα: Συντήρηση και ηθικοί προβληματισμοί<div dir="ltr" style="text-align: left;" trbidi="on"><br />
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